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minimal
intervention
preventive
measures
principal of reversibility
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What
the practice does
-
Conservation
of oil or acrylic on
canvas, panel, or plaster
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Treatments
either in the studio or
in-situ
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FREE
ESTIMATES if
painting brought to
studio or by arrangement
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Repair
of tears, losses, and
structural damage
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Lining
or strip-lining
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Consolidation
of flaking paint
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Removal
of layers of dirt,
pollutants, soot etc.
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Removal
of darkened and dull
varnish
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Conservation
framing to lessen
deterioration
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Preventive
conservation to lessen
the impact of everyday
conditions
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Advise
on the care of paintings
and collection management
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Technical
analysis
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Illustrated
talks
The practice
does not
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Exceed
the estimate without permission from the
client
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Carry
out unnecessary work
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Ignore
the client's wishes
Practice Attitude All
treatments and care of works are carried out in
adherence of strict ethical guidelines. The
studio takes the approach of minimal
intervention, whilst taking into
account the art work's place in a domestic or
public setting. Only essential
work is carried out on a painting: repair and maintenance of structural stability along with
removal of varnish and dirt layers where
appropriate.
During
treatment, simple preventive measures can
be taken to lessen degradation of the painting; for example, the fitting of a board
over the back of a painting on canvas will reduce
the effects of dust and pollution at the back.
An
important part of today's conservation practice
is the principal of reversibility; for
example, anything that alters the surface of the
painting, such as varnish or re-touching over
lost elements, can be
removed easily in the future.
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